I can’t believe it’s almost April! Although the spring season is still going strong, I can end my anxiety with plenty of good news: I will be attending the Delaware Public Humanities Institute for two weeks in June, followed by a summer internship at the Museum of Modern Art in New York! And, to top that off, I just declared my major; the new background image should give you a hint–it’s photographs!! I’ve always had a strong interest in fine art photography, both creating it and studying it. Now I have the opportunity to delve even deeper into historic and contemporary processes, and focus my time on the conservation of photographic materials.
I was so excited to share my new decision with my conservator friends at the Legion of Honor and San Francisco Museum of Modern Art during my spring break. Debra Evans and crew in the paper lab at the Legion kindly showed me their current projects, as well as storage, where the shelves were recently updated with earthquake-proof straps. The idea was really clever, and reminded me just how real the threat of earthquakes is on the west coast; I tend to forget, living in Philadelphia. Before leaving the museum, I stopped in to see The Cult of Beauty: The Victorian Avant-Garde, 1860-1900, which included some lovely photographs by Julia Margaret Cameron.
Next stop: SFMOMA. I was able to say hi to a few of the people that I worked with in 2009 (I can’t believe it’s been almost three years!), then chat with Photograph Conservator Theresa Andrews about her day-to-day duties in the museum. I couldn’t help but be a little jealous of the artworks that she gets to handle, but also a bit relieved that I don’t have the monstrous task of re-designing a new lab space as part of the museum’s remodel.
There are currently three amazing photograph exhibitions on view at SFMoMA: Picturing Modernity, photographs from the permanent collection, with some beautiful albumen prints in pristine condition; Photography in Mexico, exploring the photographic traditions of Mexican artists, and other photographers working in Mexico. This was crazy because I wrote a research paper in college titled something like El Ojo de Mexico: Edward Weston, and this exhibition included every single image that I discussed in my paper! Finally, the Rineke Dijkstra Retrospective will be coming to MoMA this summer, but I think it will be interesting to see the show at two separate venues. Plus, Dijkstra’s images are very moving, and I love large scale color photography.