With the FAIC Platinum and Palladium Photography Symposium in Washington, D.C. now a couple months behind me, I can look back and reflect upon how much I have applied my newfound knowledge into my daily work.
To summarize, the program included a full day workshop, a day-long tour, and two days of symposium presentations. The tours to see collections at the National Gallery of Art, the National Museum of American History, and the Library of Congress offered an opportunity to see examples of a variety of prints close up. Not only did the collections include a breadth of subject matter, they also showed the many conditions, tones, and techniques that we would hear about later in the week. The workshop happened concurrently to the tours in the photograph conservation lab at the National Gallery of Art, where Mike Ware, Pradip Malde, Chris Maines, and Adrienne Lundgren demonstrated three versions of printing in platinum and palladium (see images) and gave the participants time to try their hand at each.
Finally, the symposium talks presented the thorough research that the many conservators, scientists, curators, historians, and artists had been conducting over the course of years. The wealth of recently-discovered information cannot be conveyed except through the much-needed publication, fortunately expected in print in a few years’ time.
Ultimately, in only a few short days, the Symposium showed me that platinum and palladium photographs are not always what we previously expected; they can be in excellent condition, faded, or stained, neutral or warm in tone, contact printed, enlarged, or even selectively printed with the use of glycerin…and the list goes on. Although I do not work with photographs on a daily basis, I have already found use for my improved identification skills and look forward to attempting some of the proposed treatment techniques, like iron chelation, in the future.
*Many thanks to the John Krill-Betty Fiske Scholarship Award for funding this experience, and to Michelle Sullivan for sharing her images of the workshop.